Andrew O’Hagan foi convidado para ser o ghostwriter da auto-biografia de Julian Assange. Nessa qualidade passou longos momentos com o fundador da wikileaks. E o que conta pode parecer retirado de um livro de ficção. Mas não. O texto está escrito na primeira pessoa e foi publicado na London Review of Books.
On 5 January 2011, at 8.30 p.m., I was messing about at home when the phone buzzed on the sofa. It was a text from Jamie Byng, the publisher of Canongate. ‘Are you about?’ it said. ‘I have a somewhat left-field idea. It’s potentially very exciting. But I need to discuss urgently.’ Canongate had bought, for £600,000, a memoir by the WikiLeaks founder, Julian Assange. The book had also been bought for a high sum by Sonny Mehta at Knopf in New York and Jamie had sold foreign rights to a slew of big houses. He said he expected it to be published in forty languages. Assange didn’t want to write the book himself but didn’t want the book’s ghostwriter to be anybody who already knew a lot about him. I told Jamie that I’d seen Assange at the Frontline Club the year before, when the first WikiLeaks stories emerged, and that he was really interesting but odd, maybe even a bit autistic. Jamie agreed, but said it was an amazing story. ‘He wants a kind of manifesto, a book that will reflect this great big generational shift.’ He’d been to see Assange in Norfolk and was going again the next day. He said he and the agent Caroline Michel had suggested me for the job and that Assange wanted to meet me. I knew they’d been talking to other writers, and I was at first sceptical. It’s not unusual for published writers to get requests to write things anonymously. How much did Alex Haley protect Malcolm X when he ghosted his autobiography? To what extent did Ted Sorensen create the verbal manner of John F. Kennedy when he wrote Profiles in Courage, a book for which the future president won the Pulitzer Prize? And are the science fiction stories H.P. Lovecraft ghosted for Harry Houdini not the best things he ever wrote? There would be a touch of all this in the strange case of Assange. But there is something else about the genre, a sense that the world might be more ghosted now than at any time in history. Isn’t Wikipedia entirely ghosted? Isn’t half of Facebook? Isn’t the World Wide Web a new ether, in which we are all haunted by ghostwriters?
I had written about missing persons and celebrity, about secrecy and conflict, and I knew from the start that this story might be an insider’s job. However it came, and however I unearthed it or inflected it, the Assange story would be consistent with my instinct to walk the unstable border between fiction and non-fiction, to see how porous the parameters between invention and personality are. I remembered Victor Maskell, the art historian and spy in John Banville’s The Untouchable, who liked to quote Diderot: ‘We erect a statue in our own image inside ourselves – idealised, you know, but still recognisable – and then spend our lives engaged in the effort to make ourselves into its likeness.’ The fact that the WikiLeaks story was playing out against a global argument over privacy, secrets and the abuse of military power, left me thinking that if anyone was weird enough for this story it was me.
At 5.30 the next day Jamie arrived at my flat with his editorial colleague Nick Davies. (Mental health warning: there are two Nick Davies in this story. This one worked for Canongate; the second is a well-known reporter for the Guardian.) They had just come back on the train from Norfolk. Jamie said that Assange had poked his eye with a log or something, so had sat through three hours of discussion with his eyes closed. They were going to advertise the book for April. It was to be calledWikiLeaks versus the World: My Story by Julian Assange. They said I would have a percentage of the royalties in every territory and Julian was happy with that. We talked about the deal and then Jamie went into detail about the security issues. ‘Are you ready to have your phone tapped by the CIA?’ he asked. He said Julian insisted the book would have to be written on a laptop that had no internet access.
When I arrived at Ellingham Hall Assange was fast asleep. He’d been living there, at the house of Vaughan Smith, one of his sureties and founder of the Frontline Club, since his arrest on Swedish rape allegations. He was effectively under house arrest and wearing an electronic tag on his leg. He would sign in at Beccles police station every afternoon, proving he hadn’t done a runner in the night. Assange and his associates kept hackers’ hours: up all night and asleep half the day, one of the little bits of chaos that would come to characterise the circus I was about to enter. Ellingham Hall is a draughty country residence with stags’ heads in the hall. In the dining room there were laptops everywhere. Sarah Harrison, Assange’s personal assistant and girlfriend, was wearing a woolly jumper and kept scraping her ringlets off her face. Another girl, maybe Spanish or South American or Eastern European, came into the drawing room where the fire was blazing. I stood at the windows looking at the tall trees outside.
Sarah made me a cup of tea and the other girl brought it into the room with a plate of chocolate biscuits. ‘I’m always trying to think of new ways to wake him up,’ she said. ‘The cleaner just barges in. It’s the only way.’ He soon came padding into the room in socks and a suit.
‘I’m sorry I’m late,’ he said. He was amused and suspicious at the same time, a nice combination I thought, and there were few signs of the mad unprofessionalism to come. He said the thing that worried him was how quickly the book had to be written. It would be hard to establish a structure that would work. He went on to say that he might be in jail soon and that might not be bad for writing the book. ‘I have quite abstract thoughts,’ he said, ‘and an argument about civilisation and secrecy that needs to be got down.’
He said he’d hoped to have something that read like Hemingway. ‘When people have been put in prison who might never have had time to write, the thing they write can be galvanising and amazing. I wouldn’t say this publicly, but Hitler wrote Mein Kampf in prison.’ He admitted it wasn’t a great book but it wouldn’t have been written if Hitler had not been put away. He said that Tim Geithner, the US secretary of the Treasury, had been asked to look into ways to hinder companies that would profit from subversive organisations. That meant Knopf would come under fire for publishing the book.
I asked him if he had a working title yet and he said, to laughter, ‘Yes. “Ban This Book: From Swedish Whores to Pentagon Bores”.’ It was interesting to see how he parried with some notion of himself as a public figure, as a rock star really, when all the activists I’ve ever known tend to see themselves as marginal and possibly eccentric figures. Assange referred a number of times to the fact that people were in love with him, but I couldn’t see the coolness, the charisma he took for granted. He spoke at length about his ‘enemies’, mainly the Guardian and the New York Times.
Julian’s relationship with the Guardian, which appeared to obsess him, went back to his original agreement to let them publish the Afghan war logs. He quickly fell out with the journalists and editors there – essentially over questions of power and ownership – and by the time I took up with him felt ‘double-crossed’ by them. It was an early sign of the way he viewed ‘collaboration’: the Guardian was an enemy because he’d ‘given’ them something and they hadn’t toed the line, whereas the Daily Mail was almost respected for finding him entirely abominable. The Guardian tried to soothe him – its editor, Alan Rusbridger, showed concern for his position, as did the then deputy, Ian Katz, and others – but he talked about its journalists in savage terms. The Guardian felt strongly that the secret material ought to be redacted to protect informants or bystanders named in it, and Julian was inconsistent about that. I never believed he wanted to endanger such people, but he chose to interpret the Guardian’s concern as ‘cowardice’.”
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